Monday, June 2, 2014

Edward Francis

Tap tap tap tap tap. Taptaptaptaptap. Tap. Tap. Tap tap tap tap tap. I had heard it for days and couldn’t figure out why there were women on typewriters at the back of the office. Granted, it was Burma, but it was a sound I had not heard for a long time. The sound always made me look up and peer across the crowded office at all the women in their colourful clothes.

“To incorporate a foreign company, form 33 is  from the Ministry, it must be typed on the original form” explains My Le as we sit in the meeting room running through a list. Heineken are trying to break into the Myanmar market and I am leading the force through the tangled labyrinth of  regulatory nonsense and documents from the various Ministries to enable them to do so, despite never having done it myself.

“Oh, that’s what the typewriters are all about?”
“Yes!”

Tap tap tap tap tap.

I am taken back to another world, the taste of butterscotch in my mouth, the smell of azaleas and earl grey tea in the house. Tap tap tap tap tap. Taptaptaptaptaptaptaptap. Tap tap tap tap tap.

He leans back and inspects the last paragraph. “On the balance, whilst Galbraith’s thesis is hardly novel. Its application to the context is original however and adds clarity and new insight to a subject matter often curdled by layers of rigid and outdated discourse.”

He stops and looks at the words again.

“Is that fair, Estelle? He doesn’t pretend that its novel or obfuscate the fact.”
“If that’s what you thought.”

“He just doesn’t state it expressly. Is it for me to point this out?”
“It’s a fair point,”

He considers it another moment, pulls the paper from the electric typewriter and places it neatly underneath another page and into a folder marked ‘reviews.’

“Now, your books.” He turns to me. “first, lets feed the birds.” He takes a big magical key from a special tin, the type to unlock the gate to the secret garden or a magical parallel universe. We meander through the garden to his shed and he lets me unlock it. “Don’t go near that pink powder. Its poison. You would think that they would make it look a little less fairy floss.” It is full of tools and wood and all sorts of useful things. I am allowed to scoop out today’s cup of bird seed and we emerge into the willowy garden. I pour it gently in the bird feeder.  
We pick some oranges from the tree. There is one I cant reach despite jumping as high as my little legs will let me, so he pulls down the branch and I yank it off gleefully.
.
Inside it is all back to business.

“So, your books for the year. Let’ see…“ We carefully cover my new exercise books with the brightly coloured wrapping paper mum and I picked out. One is covered in shiny balloons of a thousand colours. Another has blue umbrellas all over it.

“How shall we put your name on there?” His brow furrow momentarily. “Ah ha!” He places a clean sheet of white paper in the typewriter. Tap tap tap tap tap. Taptaptaptaptaptap. Tap. “Its important to be neat and tidy.”

Caitlin Kelly
Year 2. Maths

He pulls it our, examines the  two parallel lines of orderly text and hands it to me. “What do you think?”
“I like it.”

He cuts out the words and applies some glue to the back. “Grandma uses this special glue to arrange the Catholic Women’s’ Weekly magazine.” He says. “You can move things around. Look.”

We finish covering the books and look in satisfaction at out work. We drink coca cola spiders and wax lyrical about the glass prism sitting on the bookshelf that I like to play with. “It splits the light” he says as I try to transport myself into the secrets of the rainbow.

“Feel like a trip to the post  box?” He takes the neat pages from the folder that he typed earlier and puts then in a big envelope.  He explains how the post office people sort envelopes into those of certain size wigh them, and the cost depends on where  they are going. We weigh the envelope to check that it is less than 5 grams. It turns out you couldn’t just post a sheet of lead overseas for 60 cents. But paper, yes! “For the cost of an ice cream. All the way around the world. Remarkable, isn’t it?”

“Yes. Can I put the stamp on?”

“Certainly”

I try my best but it is still somehow wonky.

We walk to the post box stopping and looking at flowers spilling out over comfortable porches, play equipment and swings in the front of someone’s house, the jacaranda trees shedding their purple fingers in the breeze, interesting chimneys. He holds my hand with his and with the other I clutch the envelope. When we get to the post box I push it through the slot and peer up with a little nose.’

‘Off to England!”

“It will be there in about ten days. ”

Back at the house Estelle has started dinner. A production of La Boheme is on television, filling front room with something sonorous and pleasant.  The alpenglow is settling outside the big windows. The kitchen is engulfed in warm aromas and I become absorbed in a book with pictures of Pompeii. Looks like the place is a mess to me. Like it just  fell down or something.

Taptaptap I hear from the other room.

Tap tap tap tap tap. Tap tap tap.

Taptaptaptaptap. Tap tap tap. Tap tap.

Years pass over and under me.  I wish I was neater, that I could place my hand in yours and you would explain how things work. Be not afraid, you used to say.  Through the turning of the years, each decade feeling inchoate,  you never age. In a wild and primitive office in downtown Yangon there is craziness erupting around me. In all of it, when I hear the sound of tap tap tap, I smell azaleas and a the opera lends its score, a sotto voce harmony amid the chaos. The sound of tap tap tap, tap tap tap, reminds me you are there.